2-Music-Theory-Rhythm

rhythm in music

Regular musical beats {rhythm, music} can vary by slightly altering note times and by changing middle beats.

rest in music

Music can have pauses {rest, music}. Rest can be for whole beat {whole rest}, half beat {half rest}, quarter beat {quarter rest}, eighth beat {eighth rest}, or sixteenth beat {sixteenth rest}.

upbeat

In written music, one note {upbeat} can be before first measure.

2-Music-Theory-Rhythm-Measure

measure in music

Beats have groups {measure, music}. Measures have same number of beats. Measure type determines rhythm. First beat usually has stress. Recurrent and non-recurrent rhythm patterns over several measures can make stresses, which are the same as, complementary to, or opposite from meter.

meter in music

Measures can have 1, 2, 3, 4, 5, 6, or 9 beats and have same stressed and unstressed beats {meter, music} {time signature}: 2/4 time, 2/2 time, 3/4 time, 3/8 time, or 4/4 time.

duple time

Measures can have two quarter notes {duple time} {2/4 time}.

alla breve

Measures can have two half notes {alla breve}.

triple time

Measures can have three quarter notes {3/4 time} or three eighth notes {3/8 time} {triple time}.

quadruple time

Measures can have four quarter notes {quadruple time} {common time} {4/4 time}.

compound time

Measures can have two or more duple or triple meters {compound measure} {compound time}. In compound time, first-duple or first-triple first beat has stress, and second-duple or second-triple first beat has slightly less stress. Compound-meter measures can have six quarter notes {6/4 time}, six eighth notes {6/8 time}, nine eighth notes {9/8 time}, or twelve eighth notes {12/8 time}.

2-Music-Theory-Rhythm-Unit

beat

Rather than using one second as time unit, music has its own time unit {beat, rhythm}. Beats {whole note} can divide into half beats {half note}, quarter beats {quarter note}, eighth beats {eighth note}, or sixteenth beats {sixteenth note}. Notes can sound for any number of beats or beat fractions. Notes can have 1.5 beats {dotted note, beat}, 0.75 beats {dotted half note}, 0.375 beats {dotted quarter note}, and 0.1875 beats {dotted eighth note}.

brevis

In late 12th century, besides long notes, chants began to use short notes {brevis}. Brevis had one beat. Long had two beats. One long equaled two brevis. As in poetry, brevis and long can make two-syllable, three-syllable, or four-syllable meters: pyrrhic, iamb, trochee, spondee, tribrach, anapest, dactyl, and dispondee.

Later, chants began to use notes that combined long and brevis to make "longshort" three-beat notes. Then, trochee was long-short. Dactyl was long-short-short or longshort-short-long. Anapest was long-long-longshort. Spondee was longshort-longshort. Tribrach was short-short-short.

tempus

European time units {tempus} equal to brevis began [1300 to 1400]. Tempus had two or three parts {semibreve}, each of which had two or three parts {semibreve minimae} {minimae}. Time types were three semibreves {perfect time} or two semibreves {imperfect time}, to make four time signatures {prolation}. 2/4 time had two semibreves with two minimae. 6/8 time had two semibreves with three minimae. 3/4 time had three semibreves with two minimae. 9/8 time had three semibreves with three minimae.

2-Music-Theory-Rhythm-Hand

levatio

Rhythm can use up {levatio} hand motions. Last phrase tone can end on levatio {metric rhythm}.

positio

Rhythm can use down {positio} hand motions. Musical phrases can end with rest as long as positio.

2-Music-Theory-Rhythm-Note

accented note

A second note {accented note} can quickly play after a note.

dashed note

Notes {dashed note} can be longer in time than normal beat, as indicated by a dash over or under note.

dotted note

Notes {dotted note, note} can be shorter in time than normal beat, as indicated by a dot over or under note.

slur in music

Two different-pitch notes can slide from one to the other {slur, music}.

tie in music

Two same-pitch or different-pitch notes can link {tie, music}.

2-Music-Theory-Rhythm-Style

legato

Musicians can play smoothly {legato}.

staccato

Musicians can play short sharp crisp notes {staccato}.

accelerando

Musicians can increase tempo {accelerando}.

ritardando

Musicians can play slow {ritardando}.

rubato

Musicians can use any tempo {rubato}.

2-Music-Theory-Rhythm-Meter

pyrrhic in music

short-short {pyrrhic, music}.

iamb in music

short-long {iamb, music}.

trochee in music

long-short {trochee, music}.

spondee in music

long-long or longshort-longshort {spondee, music}.

tribrach in music

short-short-short {tribrach}.

anapest in music

short-short-long or long-long-longshort {anapest, music}.

dactyl in music

long-short-short or longshort-short-long {dactyl, music}.

dispondee in music

long-long-long-long {dispondee}.

2-Music-Theory-Rhythm-Tempo

tempo

Beats have speed {tempo}|.

presto

extremely fast {presto}.

vivace

very fast {vivace}.

allegro music

fast {allegro, tempo}.

allegretto

moderately fast {allegretto}.

moderato

moderate {moderato}.

andante

moderately slow {andante}.

lento

slow {lento}.

adagio music

very slow {adagio, tempo}.

largo

very slow and broad {largo}.

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Date Modified: 2022.0225